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Ursula K Le Guin and a schooling in magic, mystery

Thursday, August 29th, 2019

[ by Charles Cameron — the magic of names, the mystery of creation ]
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Let’s begin with Russell Moore, controversial president of the Ethics & Religious Liberty Commission of the Southern Baptist Convention:

He’s concerned about deep fake, or more exactly deepfakes, in which AI is used to develop model of people’s faces, which can then be manipulated to “make them” say things the real people wouldn’t say and haven’t said. There’s a fairly well-known TED talk that explains:

The speaker, Supasorn Suwajanakorn, mentions towards the end of his talk that he’s working on software called Reality Defender, while DARPA is running a contest to catch deepfakes and other AI trickery.

Boom!! — we’re in the realm of untruth so subtle it can fool both ear and eye, so we can no longer trust that seeing is believing. Indeed, Charlton Heston’s Moses could no doubt now be persuaded to come down from the mountain and declare:

Thou shalt make unto thee fake images, and any likeness of any person that is in heaven above, or that is in the earth beneath, or that is in the water under the earth

From a strict Christian perspective this would be blasphemy — but fun from the POV of Dawkins and the antitheists, and entirely feasible from the perspective of digital manipulation of existing video.

And in Russell Moore‘s terms, the fundamental distinction here is between he who is the Truth, the Way and the Life, and that which is the Father of Lies.

**

Which brings us to Ursula K Le Guin, and her magnificent work, Wizard of Earthsea. Ursula grew up in the household of her parents: her father, AL Kroeber was of the great wave of anthropologists trained by Franz Boas, while her mother, Theodora Kroeber, was also an anthropologist, celebrated for her 1961 book Ishi in Two Worlds, based on her husband’s curation, around the time of the First World War, of Ishi, the last surviving member of the Californian Yahi tribe.

Le Guin, then, grew up in the household of the UC Berkeley Professor of Anthropology — a household visited by numerous other anthropologists with their tales of shamans and the varieties of magical practice around the world.. Not surprisingly, her vision of magic in Earthsea corresponds with that of many varieties of shamanism..

Here we are dealing with magic as deep truth, or deeptrush, so to speak. And Le Guin‘s definition of magic is to know the true name of all that is.

**

Here, it seems to me, we are in the realm of the Prologue to St John’s Gospel:

In the beginning was the Word, and the Word was with God, and the Word was God.

with its extraordinary conclusion:

And the Word was made flesh, and dwelt among us

And returning to Le Guin, we find the nature of Word as True Name spelled out in its cosmic glory:

It is no secret. All power is one in source and end, I think. Years and distances, stars and candles, water and wind and wizardry, the craft in a man’s hand and the wisdom in a tree’s root: they all arise together. My name, and yours, and the true name of the sun, or a spring of water, or an unborn child, all are syllables of the great word that is very slowly spoken by the shining of the stars. There is no other power. No other name.

Can we also hear in Le Guin‘s words that therein lies the deepmagic?

**

And quoting from that video clip:

He who would be the Sea Master must know the True Name of every drop of water in the sea.

Magic exists in most societies in one way or another. And one of the forms that it exists in a lot of places is, if you know a thing’s True Name, you have power over the thing, or the person. And of course it’s irresistible, because I’m a writer, I use words, and knowing the names of things, is, I do, magic. I do, make up things that didn’t exist before, by naming them. I call it Earthsea — and there it is, it exists!

We’re close, here, to Genesis 1.3:

And God said, Let there be light: and there was light.

Here, as Tolkien noted, the human creator works within the greater work of creation in which she partakes.

On the felicities of graph-based game-board design: six

Thursday, May 19th, 2016

[ by Charles Cameron — on the rich visual similarities between two diagrams from widely separated topic areas ]
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I don’t think we always appreciate just how similar graph-based mappings are to one another — or why the HipBone-Sembl Games are therefore so closely analogous to so many other graph-based mappings of the world around us:

ARPANET Washingmachine DQ tablet

This particular pairing of images struck me today when Mike Walker tweeted it the Arpanet map in quoting a World Economic Forum post — and the memory it called up was another image I found, who knows where, quite a few years ago, of the workings of a washing machine.

We really have two tips of the iceberg of a hugely pervasive language of node-and-edge-based graphs here.

**

Previous posts in this series:

  • On the felicities of graph-based game-board design: preliminaries
  • On the felicities of graph-based game-board design: two dazzlers
  • On the felicities of graph-based game-board design: three
  • On the felicities of graph-based game-board design: four
  • On the felicities of graph-based game-board design: five
  • Related posts, overlapping with those above:

  • Graph-types 1: sample graphs and boards
  • Graph-types 2: towards a universal graphical mapping language
  • I expect there’s more but that’s what a quick scan brought up.

    We’re a legacy industry in a world of start-up competitors

    Wednesday, August 26th, 2015

    [ by Charles Cameron — Ambassador Husain Haqqani and Daveed Gartenstein-Ross at Chautauqua ]
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    chautauqua haqqani daveed

    **

    From the outset, when cheers went up for Daveed’s birthplace, Ashland, Oregon, and Ambassador Haqqani’s, Karachi — and for the brilliant meeting of the minds that is Chautauqua — it was clear that we were in the presence of two gracious, witty and informed intelligences, and the seriousness of the conversation between them that followed did nothing to reduce our pleasure in the event. Daveed called it “easily the best experience I have ever had as a speaker.”

    I’ll highlight some quotes from each speaker, with the occasional comment:
    **

    Amb. Haqqani:

    None of the countries except Egypt, Turkey and Iran, none of the countries of the Middle East are in borders that are historic, or that have evolved through a historic process. And that’s why you see the borders a straight lines. Straight lines are always drawn by cartographers or politicians, the real maps in history are always convoluted because of some historic factor or the other, or some river or some mountains.

    You’ll see how neatly this fits with my recent post on borders, No man’s land, one man’s real estate, everyone’s dream?

    And now that whole structure, the contrived structure, is coming apart.

    Then most important part of it is, that this crisis of identity – who are we? are we Muslims trying to recreate the past under the principles of the caliphate .. or are we Arabs, trying to unify everybody based on one language, or are we these states that are contrived, or are we our ethnic group, or are we our tribe, or are we our sect? And this is not only in the region, it’s also overlapping into the Muslim communities in the diaspora..

    **

    If Amb. Haqqani emphasized the multiple identities in play in the Arabic, Islamic, Sunni, Shia, Sufi, and tribal worlds in his opening, Daveed’s emphasis was on the failure of the post-Westphalian concept of the nation state.

    Daveed G-R:

    In the economic sphere there’s this thing that is often called “legacy industries” – industries that fit for another time, but are kind of out of place today. Think of Blockbuster Video, once a massive, massive corporation.. that’s a legacy industry. So when Ambassador Haqqani talks about how it’s not just in the Middle East that we have this crisis of identity, I think the broader trend is that the Westphalian state that he spoke about, the kind of state that was encoded after the Peace of Westphalia, looks to a lot of people who are in this generation of the internet where ideas flow freely, it looks like a legacy industry.

    Why do you need this as a form of political organizing? And what ISIS has shown is that a violent non-state actor, even a jihadist group that is genocidal and implements as brutal a form of Islamic law as you could possibly see, it can hold territory the size of Great Britain, and it can withstand the advance of a coalition that includes the world’s most powerful countries including the United States. And what that suggests is that alternative forms of political organization can now compete with the nation state.

    **

    The Ambassador then turned to the lessons we should take from 1919’s US King–Crane Commission, reporting on the break-up of the Ottoman Empire — they concluded that it gave us

    a great opportunity — not likely to return — to build .. a Near East State on the modern basis of full religious liberty, deliberately including various religious faiths, and especially guarding the rights of minorities

    — down to our own times.

    Amb. Haqqani:

    What we can be sure of is that the current situation is something that will not be dealt with without understanding the texture of these societies. So for example, when the United States went into Iraq without full understanding of its sectarian and tribal composition, and assumed that, all we are doing is deposing a dictator, Saddam Hussein, and then we will hold elections and now a nice new guy will get elected, and things will be all right -– that that is certainly not the recipe. So what we can say with certainty in 2015 is .. over the last century what we have learnt is: outsiders, based on their interests, determining borders is not a good idea, and should certainly not be repeated. Assuming that others are anxious to embrace your culture in totality is also an unrealistic idea.

    The sentence that follows was a stunner from the Ambassador, gently delivered — a single sentence that could just as easily have been the title for this post as the remark by Daveed with which I have in fact titled it:

    Let me just say that, look, he ideological battle, in the Muslim world, will have to be fought by the likes of me.

    Spot on — and we are fortunate the Ambassador and his like are among us.

    **

    Daveed then turned to another topic I have freqently emphasized myself.

    Daveed G-R:

    The power of ideas – we as Americans tend not to recognize this when it falls outside of ideas that are familiar to us. So one thing that the US has been slow to acknowledge is the role of the ideology that our friend and ally Saudi Arabia has been promulgating globally, in fomenting jihadist organizations.

    And one of the reasons we have been slow to recognize that. I mean one reason is obvious, which is oil. .. But another reason has been – we tend to think of ideas that are rooted in religion – as a very post-Christian country – we tend to think of them as not being real – as ideas which express an ideology which is alien to us –as basically being a pretext, with some underlying motivation which is more familiar to us. That it must be economics, or it must be political anger. I’m not saying those are irrelevant, they’re not – but when Al-Qaida or ISIS explains themselves, taking their explanation seriously and understanding where they’re coming from – not as representatives of Islam as a whole, but as representatives of the particular ideology that they claim to stand for – we need to take that seriously. Because they certainly do.

    **

    Amb. Haqqani:

    The world is not a problem for Americans to solve, it’s a situation for them to understand.

    This makes a nice DoubleQuote with Gabriel Marcel‘s more general aphorism:

    Life is not a problem to be solved but a mystery to be lived.

    **

    Toward the end of the discussion, Daveed touched on some ideas of recurrent interest to Zenpundit readers..

    Daveed G-R:

    Looking at the US Government, questions that I ask a lot are: Why are we so bad at strategy? Why are we so bad at analysis? Why do we take such a short term view and negate the long term?

    He then freturned to the issue of legacy industries and nation-states:

    Blockbuster is a legacy industry. And the reason why legacy industries have so much trouble competing against start-up firms, is because start-ups are smaller, it’s more easy for them to change course, to implement innovative policies, to make resolute decisions – they can out-manoeuver larger companies. And so larger companies that do well adapt themselves to this new environment where they have start-up competitors. Nation-state governments are legacy industries. Violent non-state actors are start-up compoetitors.

    — and had the final, pointed word:

    We’re a legacy industry ina world of start-up competitors.

    **

    Having offered you these tastes, at this point I can only encourage you to watch the whole hour and a quarter, filled to the brim with incisive and articulately-stated insights:

    A graphic mix and match

    Wednesday, August 22nd, 2012

    [ by Charles Cameron — the serious-minded can safely ignore this post, which is of mainly aesthetic interest, surely a matter of no importance in its own right ]
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    Two graphics caught my eye today, one after another in my RSS feed.


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    The upper image comes from DARPA, and is not really explained in any detail by the otherwise interesting Wired piece that it illustrated — but is easy and intriguing to the eye anyway, and somehow has to do with a return to analog computing:

    Through its Defense Advanced Research Projects Agency (Darpa), the DoD is funding a new program called UPSIDE, short for Unconventional Processing of Signals for Intelligent Data Exploitation. Basically, the program will investigate a brand-new way of doing computing without the digital processors that have come to define computing as we know it.

    Well, new this time around the block, anyway.

    The second (lower image), totally unrelated to the first but almost its twin to my mind’s eye, shows a “literary moonscape” by the artist Guy Laramée, created by sculpting it out of an old book, h/t The Paris Review, Saatchi Gallery and 3quarksdaily.

    In my view, Laramée has an impressive understanding of books and how they serve as portals into other worlds:


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